In this deep-dive video, HakenAudio teams up with the WARBL Wind Controller to showcase a set of custom EaganMatrix presets, specifically crafted for this expressive MPE instrument. Ed Eagan, architect of the EaganMatrix, demonstrates how the WARBL’s multidimensional sensors and the compact Haken Micro sound engine can unlock a new level of nuanced performance. The video is a masterclass in digital instrument integration, revealing how firmware updates, preset design, and clever controller mapping can blur the boundaries between acoustic and electronic sound worlds. For anyone curious about the architecture and workflow of modern hybrid rigs, this is a revealing look at what happens when hardware, firmware, and interface design truly align.
1. May 2026
LYRA
HakenAudio and WARBL: MPE Winds Meet the EaganMatrix Micro
A Breath of Digital Expression: Introducing the WARBL
The video opens with Ed Eagan introducing the WARBL Wind Controller, positioning it as a uniquely expressive MPE instrument. Unlike traditional wind controllers, the WARBL is designed to capture the subtlety and nuance of acoustic performance through multidimensional sensor data. This focus on expressivity is a hallmark of HakenAudio’s philosophy, and it’s clear from the outset that the WARBL is intended to be more than just a MIDI trigger—it’s a performance instrument in its own right.
What sets the WARBL apart is its ability to translate breath, movement, and touch into a rich stream of control data. The video hints at immersive musical experiences, suggesting that the WARBL, when paired with the right sound engine, can move seamlessly between the worlds of acoustic emulation and electronic innovation. This sets the stage for a demonstration that’s as much about workflow and integration as it is about raw sound.
Sixteen Presets, Infinite Possibilities
Ed Eagan highlights that the video is built around 16 new presets introduced in firmware version 10.72, each tailored specifically for the WARBL and Haken Micro pairing. These presets aren’t just generic sound patches—they’re carefully adapted from the broader EaganMatrix library to make full use of the WARBL’s expressive capabilities. This brings the total number of WARBL-optimized presets to 32, while still leaving the door open to explore any of the 600+ sounds in the system library.
The workflow here is both curated and flexible: users can dive straight into these custom presets for immediate results, or venture deeper into the EaganMatrix’s vast sonic architecture. The video’s structure—moving from preset to preset—demonstrates not only the breadth of available sounds but also how firmware updates and preset design can evolve to meet the needs of new hardware controllers.
"These presets are based on existing library presets, but have been modified specifically for the warble and the micro combination."
© Screenshot/Quote: Hakenaudio (YouTube)
Three Dimensions of Control: WARBL’s Sensor Suite
"Those dimensions are specifically elevation, which is up and down. And there's also roll, which is twisting to the left and twisting to the right."
© Screenshot/Quote: Hakenaudio (YouTube)
A key focus of the video is the WARBL’s three-dimensional sensor system, which enables a level of nuanced expression rarely seen in wind controllers. The three axes—elevation (up and down), roll (twisting left and right), and yaw (side-to-side movement)—are mapped to different sound parameters within the EaganMatrix engine. This mapping allows performers to shape timbre, dynamics, and articulation in real time, responding to the subtlest gestures.
Interestingly, Ed notes that yaw is less practical in live performance and has been left out of these particular presets, a decision that reflects both ergonomic considerations and a thoughtful approach to controller mapping. The result is a system where the most intuitive movements are harnessed for maximum musical impact, without overcomplicating the performance workflow.
Foot Control: Adding a Layer of Macro Expression
Beyond the WARBL’s onboard sensors, the video demonstrates how a simple foot pedal can be integrated into the performance setup via the Haken Micro’s pedal input. Ed uses a Yamaha FC7 pedal to control a macro parameter, visible as ‘P1’ in the virtual macro display. This adds a fourth dimension of control, allowing performers to manipulate key sound parameters—such as filter sweeps or effect depths—without taking their hands (or breath) off the main controller.
This integration exemplifies the modular, performance-oriented mindset behind the EaganMatrix and Haken Micro. By assigning macros to external controllers, users can tailor their rigs for both studio and live contexts, enhancing interactivity and keeping the interface streamlined. The video makes it clear that this isn’t just a technical possibility—it’s a core part of the intended workflow.
"Also included in the presets is control from a foot pedal."
© Screenshot/Quote: Hakenaudio (YouTube)
Blurring Boundaries: Acoustic Meets Electronic
The heart of the video is a sweeping demo of the 16 custom presets, each one showcasing how the WARBL and Haken Micro can blend acoustic-style expressivity with the limitless palette of electronic synthesis. From harmonica-like timbres to ethereal pads, the presets respond fluidly to breath, movement, and pedal input, demonstrating the system’s versatility.
What stands out is the seamlessness with which acoustic and electronic elements are merged. The WARBL’s nuanced control data is translated by the EaganMatrix into sounds that feel alive and organic, yet unmistakably electronic. For performers and sound designers alike, this setup offers a compelling toolkit for crafting hybrid soundscapes that transcend the limitations of either domain. The video closes without fanfare, letting the music speak for itself—a fitting end to a demonstration that’s all about expressive potential.
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