12. November 2026
Verbos Electronics: Inside the Haas Zone Processor – Design, Function and Patchcraft
11. November 2026
Body Synths Laboratory: When the Effect Becomes the Instrument
11. November 2026
TATO Aline Firmware 2.0: Sequencing Evolved
10. November 2026
Ableton Live: More clarity doesn’t have to mean more width
10. November 2026
Starsky Carr Unleashes the Bullfrog Mixer: Not Just for Kids
9. November 2026
The Unperson Gets Wiggly: PlayFader Rev 2 Unleashed
8. November 2026
DOOM OS on the SP-404: More Freedom, More Second-Guessing
8. November 2026
M-VAVE FM-1: The Community Rewrites the Sound
8. November 2026
Sanjay C’s Studio Desk: From Cable Noodles to Flock-Driven Flow
7. November 2026
“The Final Countdown”: Sawtooth Alone Isn’t Enough

14. November 2026
Andrew Huang celebrates ATOV’s Faderpunk as a versatile controller. But more exciting than the promise of being able to do almost anything is the question of what’s missing in your own setup: extra envelopes, a sequencer, or a bridge between modular and DAW? Two sonicstate trade show visits show how the same surface becomes different tools—and why open firmware can be more than just a bonus for tinkerers.

14. November 2026
Alex Kvarnestig: Studio Sound Remains Playable
KNISTER
Bringing a production to the stage without hiding its characteristic details in the backing track: Alex Kvarnestig shows a concrete path with ESP and Yamaha MODX M. Even a reversed effect becomes a playable sound layer. Woody Piano Shack and Scott’s Synth Stuff add two crucial perspectives: Where does it make sense to program such sounds—and does the hardware even need to come along?

14. November 2026
Akai Professional Raises the Bar: MPC 3.10.1 Update Redefines Workflow Possibilities
LYRA
Akai Professional continues its tradition of forward-thinking music production tools with the MPC 3.10.1 update, aiming to break creative boundaries on its flagship hardware. This official walkthrough dives into the expanded feature set, from external plugin support to unlimited tracks and new developer tools. We dissect what’s actually shown, where the workflow changes, and what Akai’s move means for the modern hybrid producer. The video keeps things pragmatic, so we evaluate the real-world impact for those chasing both depth and immediacy.

13. November 2026
Andromeda A6: Analog, but not backwards
JET
Alex Ball shows why Alesis’ Andromeda A6 felt so unusually modern in 2000: 16 analog voices, but an ambition far beyond retro imitation. synth4ever demonstrates sonic experiments with filter feedback, Vulture Culture even finds appeal in the software emulation. The A6 becomes exciting where sound design matters more than the right technical creed—and not every quirk of the original has to be sacred.

13. November 2026
Metropolix: Eight Steps, But Far From the End
MILES
A good eight-step sequence doesn’t necessarily need new notes. Intellijel shows how external envelopes can coax occasional octave jumps and small fills out of the Metropolix without rewriting the basic pattern. The most revealing part is the fine-tuning: what matters is how quickly the familiar figure returns. Melvin from Optoproductions finds further ways with a related software sequencer to draw more musical coherence from minimal source material.

13. November 2026
Akai Professional Pushes Boundaries with MPC 3.10.1 Update
Akai Professional’s latest MPC 3.10.1 update signals another leap in standalone music production. This manufacturer video walks through the fresh capabilities, focusing on how producers can unlock new creative workflows. From custom plugin integration via the SDK to track and plugin expansions, Akai’s approach is targeted at modern producers who crave flexibility and power. We break down each update highlight, emphasizing what’s actually shown and what these enhancements might mean for studio and stage environments.

12. November 2026
Stylophone On-The-Fly: When the Hi-Hats Can’t Keep Up
Two four-step patterns, plenty of hands-on options, and suddenly hi-hats that are too slow: Starsky Carr encounters an open sync question with the Stylophone On-The-Fly. Molten Music Technology and a Sonicstate demo show other ways to integrate the sequencer. For your own setup, it’s worth distinguishing: clock rate, timing offset, and a shared sequence start are not the same thing.

12. November 2026
Just an iPad: GarageBand between Glass and Groove
An iPad Pro, GarageBand, and no extra gear: Defmod Network uses this to build an electronic dance sketch. What’s interesting is not just what the app provides, but which musical decisions working on a touchscreen encourages. A look at sonicstate’s early string demo and Sanjay C’s ROLI session on Mac shows why extra hardware is neither a prerequisite nor mere luxury.