Starsky Carr takes the Dreadbox Artemis for a rough and ready spin, tearing into its six-voice analog core and freshly updated firmware. Expect no mercy as he fires up the new mod matrix, MPE mayhem, and a playground of effects. We get mind-melted by a full-on sound journey and see if the Artemis can justify its monster price tag over the Nymphes. This one’s for the synth-heads who want filth, flexibility, and zero sales pitch.

11. July 2026
SPARKY
Dreadbox Artemis Goes Nuclear: Starsky Carr’s Analogue Bunker Test
Artemis: The Six-Voice Street Weapon
Dreadbox have dropped a flagship that doesn’t mess about—the Artemis is a six-voice polysynth built for those who want their sound big, brash, and mod-happy. You get two VCOs per voice, plus a sub, hard sync, thru-zero FM, filter FM, and a choice of classic Dreadbox filters that’ll squeal or snarl as you please. The stereo spread is wide enough to split your brain, and with a polyphonic sequencer and four Sinevibes effects, you’re set for rave bunker action straight out of the box.
Starsky Carr gives it the full forensic—no lazy presets or soft-focus noodling here. He shows how the Artemis isn’t just about a fat core tone; it’s a modulation playground with dual ADSRs and LFOs per voice. Even basic patches have enough movement to keep techno heads twitching. If you want instant gratification or deep tweakability, this is your Swiss Army knife—just don’t expect it to play nice at the polite dinner table.
Firmware V1.2: Hacking the Matrix
Just when you thought it couldn’t get any nastier, firmware V1.2 arrives with a mod matrix that turns Artemis into a patching monster. Now you’ve got MPE support for those with a fancy controller and the ability to route CC74, so the Artemis will play nice with your wobbliest MIDI gear. The new BBD Resonator and BBD Playground effects add even more filth and swirl, making this box go from clean to chaos at the twist of a knob.
Updated reverbs and modulation effects are the kind of upgrades that actually make you want to update your firmware, not just tick a box. Everything’s modulatable in the patch, so you can go from lush clouds to grainy dirt without breaking a sweat. Starsky’s style is straight-up: he dives into each new feature, showing the real-world impact instead of reading the manual out loud. This is the sort of update that makes you want to skip work and stay in the studio all weekend.

"And again, that's modulatable."
© Screenshot/Quote: Starskycarr (YouTube)
Sound Journey: Raw to Lush and Back Again

"It just gives you a really nice feel for what this is all about."
© Screenshot/Quote: Starskycarr (YouTube)
Brace yourself—a seven-minute sound journey shows the Artemis in its natural habitat: from bare oscillator throbs to full-on stereo FX madness. Starsky starts with a two-oscillator patch, then slams it through filter sweeps, stereo detuning, and every Sinevibes effect in the arsenal. The results are gritty, wide, and occasionally unhinged—exactly the kind of thing you want from a modern Dreadbox.
There are hidden samples lurking in the demo, so keep your ears peeled if you want to play along at home. But let’s be real: no write-up can do justice to the full sweep of this sound journey. If you want to feel your face melt or spot the cheeky sample drops, you’ll have to watch the video yourself. Trust me—headphones mandatory.
Nymphes vs Artemis: Punch-Up at the Polysynth Corral
So, is the Artemis actually worth three times the price of the Nymphes? Starsky lines them up for a no-BS A/B test: PWM, sawtooth, filters, drive, and raw tone all face the firing squad. The Nymphes holds its own for basic tones and simple modulations, but the Artemis just has more muscle everywhere—more immediate controls, more modulation, and a filter that can go from creamy to caustic without blinking.
Of course, the Nymphes is still a budget street weapon, especially if you just want classic Dreadbox grit and don’t need a spaceship’s worth of routing. But when it comes to flexibility and performance potential, the Artemis wipes the floor. You’re paying for hands-on chaos, not just more voices or effects.

"I've got the Nymphes on output 1 and the Artemis on output 2."
© Screenshot/Quote: Starskycarr (YouTube)
Final Call: Is the Artemis Worth the Hype?
Starsky Carr doesn’t waste time with vague verdicts—the Artemis is a sonic sledgehammer, and with the latest updates, it’s a serious contender for anyone who wants a modern analog all-rounder. But don’t take my word for it: the real proof is in the sound journey and A/B shootouts. If you want to know how the Artemis actually feels in the hands, plug in your headphones and watch the video. That’s where the magic (and the filth) really happen.
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