Bthelick’s Microtonal Techno Mashup: Jeff Mills Meets Angine de Poitrine

2. May 2026

TAS

Bthelick’s Microtonal Techno Mashup: Jeff Mills Meets Angine de Poitrine

Ever wondered what happens when you smash microtonal math rock riffs into a 90s techno blender? Bthelick, the chord-melody wizard of dance music, takes us on a wild ride through the outback of sound design, wrangling Angine de Poitrine’s microtonal madness into a Jeff Mills-inspired techno groove. This isn’t your average four-to-the-floor tutorial—think more kangaroo on a Red Bull bender than polite music theory lesson. If you’re keen on bending rules, breaking scales, and making your synths sing in ways they probably weren’t meant to, this one’s for you. Grab a cold one, mate, and let’s see how far down the microtonal rabbit hole we can tumble.

Microtonal Mayhem Meets 90s Techno

Right from the jump, Bthelick throws us into the deep end with a question only a true sonic daredevil would ask: what if you mashed up microtonal math rock with the relentless pulse of 90s techno? It’s the kind of idea that sounds like a BBQ gone off the rails, but that’s exactly the sort of chaos we live for. Inspired by a cheeky comment from Rapid Hazard and the viral antics of Angine de Poitrine, Bthelick sets out to inject some serious Jeff Mills energy into the microtonal world.

This isn’t just a genre crossover—it’s a full-blown experiment in musical rule-breaking. While most of us are happy sticking to the usual dance music toolkit, Bthelick’s ready to chuck tradition in the bin and see what happens when you let microtonal riffs loose on a techno dancefloor. If you’re after safe, predictable grooves, look elsewhere. Here, it’s all about the wild ride.

Could we put Angine de Poitrine riffs inside of a Jeff Mills techno plot? There's only one way to find out.

© Screenshot/Quote: Bthelick (YouTube)

Beyond the 12-Note Fence: Microtonal Explained

There's no rules in microtonal music.

© Screenshot/Quote: Bthelick (YouTube)

Bthelick breaks down microtonal music like he’s explaining how to cook a snag on a campfire—simple, but with a twist. For centuries, we’ve all been playing with the same 12 notes, but there’s always a few larrikins who want more. Enter microtonality, where the rules are as loose as a festival wristband on day three.

Instead of sticking to the classic A to G and their in-between mates, microtonalists add extra notes wherever they fancy—14, 18, 24 per octave, you name it. In the world of synths and modular gear, this is as easy as tweaking a voltage, and techno’s always been happy to ignore the rulebook. If you thought scales were sacred, think again. Here, it’s open season on tradition.

Translating Angine de Poitrine: Riffs in a Techno Suit

With the microtonal groundwork laid, Bthelick gets stuck into the real challenge: how to wrangle Angine de Poitrine’s wild riffs into a techno context. He picks out three main riffs, each with its own flavour—some begging to be basslines, others itching to become arps or leads. It’s like trying to fit a square peg into a round hole, but with enough persistence (and a bit of Aussie stubbornness), anything’s possible.

Armed with a saw wave and a trusty 909 drum beat, Bthelick experiments with triplet rhythms, metric modulations, and polymeters. Some bits fit the Jeff Mills vibe like a glove, others need a bit of trimming or tempo tweaking. The process is messy, creative, and full of happy accidents—just the way we like it.


Tuning Synths for Microtonal Madness

Getting your synth to play more than 12 notes per octave isn’t as easy as flipping a switch, but Bthelick’s not one to back down from a challenge. He first tries to find a ready-made 24-note tuning file, but when that turns out to be as rare as a sober punter at a bush doof, he hacks his way in with key tracking tricks. By reversing the synth’s key tracking and landing on the magic number of minus 63.5, he unlocks 24 notes per octave—enough to make any microtonal enthusiast’s heart race.

Of course, it’s not all smooth sailing. There’s a bit of trial and error, a few wrong turns, and plenty of experimentation. But that’s half the fun—sometimes the best sounds come from the wildest detours. If you want the full nitty-gritty of tuning hacks, you’ll need to watch the video, mate. Some things just can’t be bottled up in words.

Why not use the synth's key tracking parameter send it to pitch but in the opposite direction so every time it tries to climb a semitone it…

© Screenshot/Quote: Bthelick (YouTube)

Riff Results: Techno Gets a Microtonal Makeover

Once the synths are tuned and the riffs are wrangled, it’s time for the main event: hearing these microtonal monsters in action. Bthelick cycles through his creations, testing riffs on FM basses, acid lines, and classic organ sounds. Some combos hit like a summer storm, others need a bit of wrangling, but when it works, it’s pure dancefloor filth.

From double-timed basslines to harmonised leads, the results are as unpredictable as a Melbourne weather forecast. There’s a vibe here that could shake up techno in all the right ways—if you’re game enough to try it. But trust me, the real magic’s in the sounds themselves, so do yourself a favour and check out the video for the full sonic smackdown.


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