Gold-Plated Punch: Andertons Synths, Keys and Tech Put the Studiologic Numa X Piano GTse to the Test

Andertons kick things off by name-dropping the Numa X Piano GTse’s new TRS2 sound engine—a serious upgrade that pushes both acoustic and electric piano emulations into new territory. We’re talking physical modeling of real pianos and electric keys, not just dusty samples or tired ROMpler tricks. The synth engine’s had a steroid injection too, boasting virtual oscillators primed for classic and twisted analog tones.

You get four gigabytes of sample memory (double the old model) and a menu of effects that’s clearly been beefed up. This isn’t just another polite digital slab for the lounge crowd—it’s got a bite in the sound and the tech under the hood to back it up. If you’re after a stage piano that won’t wilt under pressure, this engine’s up for a fight.

First impressions? The GTse’s warm metallic finish is a show-stopper—think PRS guitar vibes, but strapped to a full-size stage piano. It shifts colour in the light; some will drool, others will recoil, but nobody’s going to miss it on stage. Andertons’ crew spend a suspicious amount of time ogling the sheen, and honestly, fair enough.

Underneath the bling, you get a Fatar TP/400 wooden keybed with escapement—that’s the posh stuff, for those who care about the feel as much as the sound. It’s solid, reassuring, and built for heavy hands or delicate flourishes alike. Even the triple pedal gets a shout for its sturdiness. Not just a pretty face, then: this thing’s built to take a kicking in the rave bunker.

Scroll through the presets and you’re hit with everything from Model D 1968 vibes to a Wurlitzer that actually feels alive—thanks to those new models and effects. There’s even a three-dimensional wiggle stick for pitch bend and mod in one place; a first for a stage piano, and it’s as bonkers as it sounds. The action’s light but playable, and the palette runs from gospel to full-on fantasy.

Amp models aren’t just afterthoughts—they’re front and centre, with JCM and Twin flavours that actually bring some grit. The chorale and symphonic effects are lush, and if you’re a sucker for stereo spread, you’ll want to hear these through headphones. Some combinations are so wild they make you question your life choices, but that’s half the fun. If you want a safe, beige piano, look elsewhere.