Behringer’s Thriller Remake: Affordable Synths, Legendary Grooves

18. October 2026

MILES

Behringer’s Thriller Remake: Affordable Synths, Legendary Grooves

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Behringer embarks on an ambitious journey: remaking Michael Jackson’s immortal ‘Thriller’ using modern, wallet-friendly synths and drum machines. This first episode sets the scene, revealing how the iconic track’s rhythm is rebuilt with a focus on hands-on drum programming and crafty sonic tweaks. Expect a patch-by-patch breakdown, dry wit, and a clear-eyed look at what these accessible tools can really do in the studio. For modular heads and synth tinkerers, it’s a chance to see classic sounds reimagined—no vintage museum required.

Setting the Scene: Reimagining Thriller on a Budget

Behringer opens the episode with a nod to ‘Thriller’ as the definitive 80s anthem, shaped by a host of legendary session players and studio wizards. The video quickly addresses the elephant in the room: while the original track leaned on rare and now extremely pricey vintage synths, this remake aims to get eerily close using accessible modern gear. The setup promises to spare your bank account, avoiding the usual parade of collector’s items.

Importantly, every sound and sequence is tracked, mixed, and assembled in a modest home studio—not a plush pro facility. The host spells out his weaponry: Poly D, LM Drum, JT2, Wave, and the JN80, all from the Behringer stable. It’s a clear statement of intent: this isn’t a museum piece, but a hands-on, pragmatic approach. The video sets the tone for a series focused on demystifying classic pop production with kit that mere mortals can actually afford.

I thought, hey, it'd be really interesting to see how close I could get with synths that are just a bit more affordable for us mere mortals.

© Screenshot/Quote: Behringer (YouTube)

LM Drum in the Spotlight: Patching the Thriller Beat

I've got the LM Drum set up right here with all channels feeding into the stereo output, apart from the kick and clap, which are routed…

© Screenshot/Quote: Behringer (YouTube)

Diving into the main course, the LM Drum takes centre stage, with the host routing all channels to the stereo output—except for the kick and clap, which are split out for mix control. This is a classic move for anyone wanting to sculpt the backbone of a rhythm track. The video highlights a subtle but crucial tweak: swapping the default congas for LM1 conga samples and loading a custom clap sound from the RD8. These modifications are aimed squarely at nailing the original’s groove.

Step mode drum sequencing follows, with tempo set to 118 BPM and a 32-step pattern length. The programming is meticulous: four-to-the-floor kick, closed hats throughout, open hats alternating between bars, cowbell on the offbeat, low and high congas precisely placed, plus snare and clap to round out the pattern. Each element is dialled in with an ear for the nuances that make ‘Thriller’ instantly recognisable.

From Boxy to Bouncy: Drum Programming, EQ, and Mix Tricks

Once the pattern is laid down, attention shifts to shaping the sound. The kick drum gets a surgical EQ treatment: carving out boxy low-mids, restoring punch in the lows, boosting the click around 4kHz, and gently rolling off the extreme highs. The comparison A/B is subtle but effective—a nod to the careful balance needed for 80s-style drum tones.

Next, the stereo drum bus is refined: the hats are smoothed by scooping upper mids, a touch of high-frequency roll-off is applied, and the lows are trimmed to leave sonic space for the kick. The result is a more polished, less shrill drum mix. The clap gets a dash of reverb and is mixed back for a natural space, while the full drum bus is given a final EQ pass for cohesion.

Throughout, the workflow is methodical but musical—a reminder that getting close to classic sounds is about iterative tweaks, not just slavish sample choices. The process, as shown, is all about using what’s at hand, listening critically, and knowing when to stop fiddling.


No Compression Needed: Channeling Swedeen’s Spirit

True to Bruce Swedeen’s legendary engineering philosophy, the host purposefully avoids compression on the LM-style drums. The aim is to preserve the natural punch and clarity, rather than squash the life out of the groove. This choice is both a technical and aesthetic nod to the original production values.

For modular fans and purists, it’s a refreshing reminder: sometimes the best trick is knowing when not to reach for another tool. The result is a drum section that feels lively and open, ready to underpin the rest of the remake.

I purposely kept it clean here, to stay true to Bruce Swedean's philosophy of not using any compression if it can be avoided.

© Screenshot/Quote: Behringer (YouTube)

Looking Ahead: Synth Bass and Beyond

The episode wraps by hinting at what’s to come—next up, the all-important synth bass. With the drum bedrock now in place, the series promises to peel back further layers, tackling each element of ‘Thriller’ in future instalments. For those of us obsessed with signal chains and patching philosophy, it’s a tasty prospect.


Watch on YouTube:


Watch on YouTube: