AutomaticGainsay vs. Behringer MS-5: Envelope Mayhem

8. August 2026

SPARKY

AutomaticGainsay vs. Behringer MS-5: Envelope Mayhem

AutomaticGainsay dives headfirst into the Behringer MS-5’s not-so-typical envelope playground, and it’s anything but your nan’s VCA. We’re talking envelope routing that’d make a modular blush, creative triggers, and enough sound design tricks to keep you locked in. If you want to hear how a modern clone handles envelope duties with serious flair, this is your ticket. Just don’t expect a bedtime story – this is synth nerdery with a side of attitude.

Envelope Routing: More Than Just VCA

Right out of the gate, AutomaticGainsay makes it clear: the MS-5 doesn’t just stick envelopes on amplitude and call it a day. You can route these things to multiple destinations—VCO2, VCF, VCA—like you’ve suddenly got a baby modular on your hands. That’s rare for a synth at this price point, and honestly, it’s a welcome slap in the face to the usual single-envelope snoozefest.

Most analogue synths just plonk the envelope on the VCA, maybe toss a bone to the filter if you’re lucky. Here, you’re deciding where the action happens, and that means more control, more chaos, and more fun. If you’re bored of the same old filter plucks, this routing will get your creative juices flowing faster than a dodgy pint at an afters.

That's really cool and that's really uncommon for a lot of analog synths.

© Screenshot/Quote: Automaticgainsay (YouTube)

Trigger Happy: Unconventional Envelope Launchpads

We can actually decide what triggers each of the envelopes, which is really astoundingly cool.

© Screenshot/Quote: Automaticgainsay (YouTube)

Here’s where things get spicy. The MS-5 lets you choose what triggers each envelope, not just the keyboard. Most synths are stuck in the dark ages—press key, get envelope, no questions asked. Not here. The video lays out how you can decouple triggers, opening up weird and wonderful timing possibilities that’ll have live performers grinning like goblins.

It’s not just about which voice gets the envelope, but when and how it fires. Want to trigger envelopes from alternative sources? Go wild. This isn’t just a nice-to-have; it’s the kind of flexibility that turns a polite synth into a street brawler.

Envelope Power: Pitch, Amplitude, and All the Feels

AutomaticGainsay doesn’t just talk the talk—he dials up the MS-5 and pushes those envelope settings to the edge. We witness how envelopes stamp their mark on both pitch and amplitude, not just the usual filter or amp shaping. It’s a real-world demo, with all the wobbles and quirks you want from a hands-on walkthrough.

The video breaks down how sustain can be used for steady transposition or filter settings, and how tweaking attack, decay, and release reshapes the sound from punchy plucks to slow-motion fades. If you’re looking for dry technical specs, look elsewhere. This is about the envelope’s attitude and its immediate, gritty impact on the sound. Honestly, some of these nuances you need to hear to believe—words don’t do the subtlety justice.

You can actually use the ADSR envelope with just the sustain up as a means of transposition, a means of holding a certain filter, cutoff…

© Screenshot/Quote: Automaticgainsay (YouTube)

Dive In: The Sound Is in the Details

If you think you know envelopes, AutomaticGainsay’s detailed audio demos will have you second-guessing. The only way to really get what the MS-5 envelopes can do is to hear them in action, so crank the volume and let the examples do the talking. This isn’t just a technical exercise—it’s a call to arms for anyone bored by vanilla synth envelopes. Get exploring, and don’t blame us if you lose an afternoon tweaking.


This article is also available in German. Read it here: https://synthmagazin.at/automaticgainsay-vs-behringer-ms-5-envelope-chaos/
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