YOUTUBER: Molten Music Technology

16. April 2026

TAS

Molten Music Technology Gets Physical: The ADDAC Servo Controller Unleashed

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Molten Music Technology Gets Physical: The ADDAC Servo Controller Unleashed

Ever wanted your synth rig to look like a robot octopus at a bush doof? Molten Music Technology dives headfirst into the ADDAC System Servo Controller, a bonkers little box that lets you modulate hardware knobs with the power of servo motors. Robin Vincent’s signature blend of geeky curiosity and dry UK wit meets a device that’s as unpredictable as a Melbourne weather forecast. From failed pedal fits to wild modular integrations, this video is a wild ride through the outer limits of hands-on modulation. If you’ve ever dreamed of automating the un-automatable, strap in—this one’s for the tinkerers and

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Molten Music Technology Takes the Parting Pedal for a Glitchy Rave Spin

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Molten Music Technology Takes the Parting Pedal for a Glitchy Rave Spin

What happens when Emily Hopkins, the queen of harp pedal chaos, teams up with Old Blood Noise Endeavors? You get Parting—a pedal that throws ambient conventions out the window and replaces them with a lo-fi, glitchy riot. Robin Vincent of Molten Music Technology dives headfirst into this unpredictable box, testing its mettle with synths and modular gear. Expect honest, hands-on critique, plenty of sonic surprises, and a healthy dose of British sarcasm. If you think ambient means pretty and polite, this review will slap you sideways. Ready for some audio carnage? Read on, but trust me—some things you’ll want to

Molten Music Technology Gets Loony: Building the Neutral Labs Luna Synth

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Molten Music Technology Gets Loony: Building the Neutral Labs Luna Synth

Ready for a wild ride through the outback of DIY synth building? Molten Music Technology’s Robin Vincent dives headfirst into the Neutral Labs Luna—a Lunetta-inspired box of sonic chaos that’ll have your patch cables in a twist. This isn’t your average solder-and-play kit; it’s a proper challenge, full of oddball components and instructions that read like a cryptic treasure map. Robin’s signature blend of dry wit and hands-on honesty makes the journey as entertaining as it is educational. If you’re keen on unpredictable noise machines and don’t mind a bit of sweat and solder, this one’s for you, mate.

Molten Music Technology Unleashes the Ballista Blast: Hybrid Mayhem in a Module

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Molten Music Technology Unleashes the Ballista Blast: Hybrid Mayhem in a Module

Molten Music Technology’s Robin Vincent dives headfirst into the Shakmat Modular Ballista Blast, a synth voice that’s got more tricks than a rave in a phone booth. This isn’t your average oscillator – we’re talking classic waveforms, wavetables, and filthy FM algorithms all crammed into one compact street weapon. Robin’s signature hands-on, no-fluff style slices through the menu-diving and gets right to the sonic carnage. If you want to know whether this hybrid beast is worth squeezing into your rack, strap in – this review doesn’t pull any punches.

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Molten Music Technology Brings the Heat: Synth East, Gear Oddities & Community Vibes

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Molten Music Technology Brings the Heat: Synth East, Gear Oddities & Community Vibes

February might be a dead zone for new synth releases, but Molten Music Technology refuses to let the scene go cold. Robin Vincent dives headfirst into the mayhem of Synth East, serving up a rave bunker’s worth of performances, quirky gear, and community spirit. From generative sequencers to drum machines that look like board games, this episode is a wild ride through the bleeding edge and the gloriously weird. If you want the real lowdown on what’s buzzing in UK synth culture, Robin’s got you covered—no fluff, just pure molten energy.

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Molten Music Technology’s Fourm Review: Sequential’s Little Box of Analog Mischief

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Molten Music Technology’s Fourm Review: Sequential’s Little Box of Analog Mischief

Molten Music Technology’s Robin Vincent gets his hands on the Sequential Fourm, a four-voice analog synth that’s small in size but big on attitude. Forget the bells and whistles—this box is all about raw, classic subtractive power, with a build that could survive a toaster-fight in a rave bunker. No built-in effects? Good. It forces you to get creative and stop hiding behind reverb. In this review, Robin dives into the Fourm’s sound palette, quirks, and that infamous polyphonic aftertouch, all with his signature blend of honesty and dry British wit. If you want to know whether this synth slaps

NAMM 2026: Molten Music Technology Drops the Gear Gauntlet

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NAMM 2026: Molten Music Technology Drops the Gear Gauntlet

January 2026, and Molten Music Technology is back with a synth-stuffed, sarcasm-laced round-up of NAMM, Buchla & Friends, and a heap of gear that’ll make your wallet sweat. Robin Vincent’s no-nonsense style slices through the marketing fluff, spotlighting everything from Korg’s filter-happy interfaces to Behringer’s vaporware and Bastl’s modular mischief. If you want the real dirt on what’s hot, what’s weird, and what’s just plain unnecessary in the synth world, this is your rave bunker briefing. Spoiler: not everything gets a gold star, but you’ll want to watch the video for the full sonic mayhem.

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Molten Music Technology’s Orchid Review: Hipster Toy or Chord Weapon?

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Molten Music Technology’s Orchid Review: Hipster Toy or Chord Weapon?

Molten Music Technology’s Robin Vincent takes the achingly hip Telepathic Instruments Orchid for a spin, asking the big question: is it a creative spark plug or just posh musical fluff? With his trademark blend of dry wit and brutal honesty, Robin dives into the Orchid’s shiny design, its instant chord magic, and the places where it falls flat on its plastic face. If you’re after a no-nonsense, groove-focused breakdown of this boutique box, you’re in the right rave bunker. Spoiler: it’s not all sunshine and Rhodes, but it might just kickstart your next tune.

Molten Music Technology Unleashes the Korg microAUDIO 722: Filter Mayhem in Your Interface

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Molten Music Technology Unleashes the Korg microAUDIO 722: Filter Mayhem in Your Interface

Molten Music Technology’s Robin Vincent is back, and this time he’s got his hands on a device that’s as mad as a bag of frogs: the Korg microAUDIO 722. Forget your average, snooze-worthy audio interface—this one’s packing a vintage analog filter ripped straight from the miniKORG 700s, and it’s here to turn your studio workflow upside down. Robin’s honest, gear-obsessed style cuts through the noise, showing us why this hybrid box is more than just a gimmick. If you think audio interfaces can’t be fun, prepare to have your cynicism filtered out.

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Molten Music Technology’s Oberheim TEO-5: Analog Goo in a Plastic Shell

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Molten Music Technology’s Oberheim TEO-5: Analog Goo in a Plastic Shell

If you think five voices is a joke in 2024, think again. Molten Music Technology drags the Oberheim TEO-5 out of the synth picnic and into the spotlight, showing why this slab of analog warmth keeps stealing the show from shinier, pricier boxes. Robin Vincent’s hands-on, no-fluff approach slices through the hype and gets right to the sticky, treacle-thick sound that’s got synth nerds drooling. If you want to know what makes this synth more than just a pretty face (spoiler: it’s not the pinstripes), strap in. This is analog done right, and you’ll want to hear it for yourself.