Join Starsky Carr as he pits the Behringer BM-11M filter pedal against the iconic Moog filters, unleashing a sonic street weapon. Discover whether this affordable alternative can hold its ground.

6. October 2025
SPARKY
Starsky Carr’s Toaster-Fight: Behringer BM-11M vs. the Moog Titans
Behringer BM-11M Analog Filter Pedal, Cre8 Audio East Beast, DF Audio Nano U, Moog Mother-32, Roland TR909
Rave Bunker Analogy
Starsky Carr, known for his no-nonsense reviews, dives right into unboxing the Behringer BM-11M pedal. It’s the latest in his Behringer saga, having run through several other pedal tests with varying success. Not everyone was a winner, with some models needing a friendly nudge and a firmware update – perhaps a miracle or two for others. Yet, the BM-11M appears promising, drawing immediate comparisons with the fabled Moog Mother 32’s filter. The test pits the BM-11M directly against the Moog, positioning this pedal as a supposed budget-friendly alternative.

"I think you can hear that in the stereo field, they both sound like their Moog filters, don't they?"
© Screenshot/Quote: Starskycarr (YouTube)
Analog Duel: BM-11M vs Moog Mother 32

"It's a lovely, smooth filter, that."
© Screenshot/Quote: Starskycarr (YouTube)
Starsky Carr sets up an intriguing sonic duel between the Behringer and the Moog. By cleverly routing the signals, he immerses us in a stereo field experience where the BM-11M challenges its more illustrious counterpart. It’s like attending a rave with legendary dancers versus the new kid on the block. Starsky provides a detailed walkthrough of his rig, using gadgets like the DF Audio Nano to perfectly balance the outputs. High resonance tests reveal subtle differences, yet the BM-11M impressively holds its ground amidst its pricey rival. As always with analog gear, slight deviations occur, but Starsky’s meticulous tweaking gets them neck and neck, proving once again that Behringer can replicate the Moog sound. This toaster-fight leaves us questioning our preconceptions of cost vs. performance.
The Filter’s Gritty Truth
In the heart of the review, Starsky unveils the gritty truth about the BM-11M’s filter capabilities. Despite being ‘just a filter,’ this pedal punches above its weight. It offers smoothness and self-oscillation that would rattle even the toughest rave bunkers. Playing with resonance, Starsky highlights how the BM-11M delivers textbook Moog-like oscillation with a little whistle here and there. It’s both charming and astonishing how well it replicates the legendary ladder filter, managing to soar high above 12kHz when pushed. While the Mother 32 offers a bit more play, the BM-11M impresses with its ease of use, making it a simple yet effective tool even in complex analog chains. Regardless of potential niggles, Starsky confirms it stays the course, offering consistent performance in these segments.
Modular Mayhem: Integration and Bleeding
Starsky doesn’t shy away from revealing the quirks in using the BM-11M with modular setups. When pushed hard, some minor signal bleeding and overdrive appear, a common occurrence in indie modules. Still, the pedal handles Eurorack level signals with aplomb, making it a viable addition to any setup. Starsky artfully connects the BM-11M to a range of devices, demonstrating two things: firstly, its ability to seamlessly integrate into existing rigs, and secondly, the trait of twisting its resonance into delightful distortion territory. As testament to its modular mindset, Starsky ends by showcasing, with a touch of humour, how the BM-11M can be driven through various sequences, offering ear-pleasing vintage warmth amid its techy grit.

"My only minor niggle is that this resonance is, well, it goes from not self-oscillation to self-oscillation within just a couple of degrees."
© Screenshot/Quote: Starskycarr (YouTube)
Final Verdict: A Sonic Street Weapon
Wrapping up, Starsky summarises his take on the BM-11M, christening it a potential underdog hero in the synth world. With MIDI options included, the pedal is versatile and rises above its budget-friendly label. While not flawless – as noted in its fast-slipping resonance notch – the BM-11M’s ability to mimic the Moog’s iconic sound at a fraction of the price is its strongest bullet point. The final rundown of features, from USB C MIDI input to assignable CCs, speaks volumes about its flexibility. Starsky’s conclusion? It’s not just a filter pedal, but a thrilling sonic street weapon and an analogue delight ready to kick into any electronic setup. Fans of Moog-esque tones without breaking the bank can find solace here.
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