sonicstate Unleashes the Chandler Abbey Road REDD Mixing System: Vintage Guts, Modular Mayhem

sonicstate dives straight into the Chandler Abbey Road REDD Mixing System, a gearhead’s fantasy that’s more than just a museum piece. This thing is a love letter to the EMI era, slapping together the valve-driven Red channel strips and the TG transistor channels for that unmistakable ’60s Abbey Road stamp. The Red channels are all about the Red 47 preamp and those classic, slightly unpredictable valve circuits—think Beatles and a heap of fuzz if you want it.

Then you get the TG side, which jumped in during the late ’60s when engineers got tired of fighting four tracks and demanded more. Suddenly, transistor consoles like the TG made eight-track recording possible, and the whole game changed. The mix of Red and TG inside this system means you can go from syrupy vintage warmth to crisp transistor punch without switching desks or selling your nan to buy a warehouse.

The Chandler REDD Mixing System isn’t just for super-rich studios or Abbey Road obsessives. It’s modular, so you can start with a single bus and bolt on whatever you fancy—Red, TG, or both. That means bedroom warriors and project studios can get a taste of that EMI fairy dust without remortgaging. Flexibility is the name of the game, and this system is as customisable as your late-night kebab order.

sonicstate points out that you can run it as big or as small as you like, mix and match flavours, and keep building as your gear addiction grows. Whether you want one strip in your rack or an entire desk like some kind of vintage Bond villain, the choice is yours. The demo unit even wheels around Abbey Road for studio-to-studio flavour hunts—proper mobile nostalgia.

Here’s where the Chandler REDD Mixing System flexes: the Red channels feature the Red 51 preamp, rumble filter, and that golden-age EMI EQ—pop or classical, just a flick away. No more yanking modules or scraping knuckles under ancient desks. Pop EQ gives you that mid-forward poke while classical lets the highs and lows breathe. If you know, you know.

TG channels, meanwhile, serve up a taste of the curve bender EQ, with both germanium and Class A flavours available. Germanium’s thick and gnarly; Class A’s pristine and clean. There’s a compressor on every channel in the original, though not here, but you still get insert points, wet/dry blend, and enough tone-shaping to make even dead mixes walk again. If you’re craving that RS56 curve-bending madness, it’s in the DNA.

sonicstate doesn’t just fawn over vintage cred—this system is built for today’s setups. D-type connectors, hand-built circuitry, and racking units that actually fit modern studios. You can run one strip or a dozen, blend RS valve bus with TG bus, and patch in pedals or outboard without a single reamp box in sight. It’s obvious Chandler and Abbey Road wanted to keep the soul but ditch the headaches.

And for the nerds: yes, the faders go up for loud—just like the real TGs, not BBC style—and yes, it stays cool even on a scorching day, thanks to smart circuit design. Whether you’re running a massive control room or a bedroom project studio, the REDD system drops straight in and does the business.