Metamyther Unleashes the Audrey II: A Feedback Monster for the Brave

Audrey II: The Hungry Beast in Your Studio

Metamyther kicks things off by introducing the Audrey II, not as a synth, but as a living, breathing sound monster that’s got a proper appetite for chaos. Forget polite melodies—this thing wants to devour noise and spit out something that sounds like the aftermath of a warehouse rave gone feral. The vibe is more creature feature than classic synth demo, and honestly, it’s a breath of fresh, slightly toxic air.

What sets Audrey II apart is its ability to turn sound design into a living experience. Metamyther doesn’t just tweak knobs; they prod and provoke, treating the synth like a wild animal in a cage. The result is a sense that you’re not just making music, you’re negotiating with a beast that might bite back. If you’re after safe, predictable tones, jog on—this one’s for the sonic thrill-seekers.

"a wild experimental sound machine that doesn't just create noise, it hungers for it."

© Screenshot/Quote: Metamyther (YouTube)

Carplus Strong Synthesis: Feedback Mayhem Unleashed

"a burst of noise is sent through and feedbacked onto itself, which creates sort of kind of like string sounds a little bit."

© Screenshot/Quote: Metamyther (YouTube)

Audrey II’s secret sauce is Carplus Strong Synthesis—a feedback technique that’s less about playing notes and more about unleashing mutations. Metamyther explains that a burst of noise gets looped back on itself, creating everything from string-like twangs to full-blown sonic carnage. Tiny tweaks can send the whole thing spiralling into new territory, making every session a bit of a gamble.

The controls are laid out like a mad scientist’s lab: excitation section, reverb, filter with both high and low pass, and a tape delay that’s just itching to run off the rails. There’s even an exclamation point switch to mess with the delay times, just in case things weren’t unpredictable enough. This isn’t synthesis for control freaks—it’s for those who like their sounds with a side of danger.

Atmospheres for the Apocalypse

Metamyther dives into the sort of sonic landscapes Audrey II excels at: dark, industrial, and dripping with menace. The raw, untreated sounds are harsh enough to peel paint, but that’s exactly what you want if you’re scoring the end of the world or just fancy scaring your neighbours. There’s a real sense of unpredictability—every tweak brings out new textures, from metallic drones to unsettling sci-fi atmospheres.

It’s clear that Audrey II isn’t trying to be everyone’s cup of tea. This is a synth for those who want to push into the darker corners of sound design, where things get weird and wonderful. Industrial techno, dark ambient, experimental noise—if those words make your heart race, Audrey II is your new best mate. For everyone else, well, maybe stick to your presets.

Reverb and Delay: Feeding the Monster

Adding effects like reverb and delay is where Audrey II really starts to breathe—sometimes literally, if you believe Metamyther’s commentary. The walkthrough shows how slathering on reverb smooths out the harsh edges, turning abrasive noise into cavernous, evolving soundscapes. Delay, meanwhile, adds a sense of space and movement, making the whole thing feel even more alive and unpredictable.

It’s the sort of transformation you have to hear to believe. Words can only do so much—if you want to feel the full impact, you’ll need to watch (and listen to) the video. Trust me, your headphones will thank you (or beg for mercy).

Push Your Sound Design Off the Deep End

If you’re bored of polite synths and want something that’ll fight back, Audrey II is your ticket to the wild side. Metamyther’s walkthrough doesn’t just show off features—it’s a call to arms for anyone who wants to break out of safe, predictable sound design. This synth is all about pushing boundaries and embracing the chaos.

So if you’re ready to feed the beast and see what it spits out, give the video a watch. Just don’t blame me if your studio never sounds the same again.