Liam Killen Meets Sha Ru: Digitakt 2 Live Wizardry That’ll Melt Your Thongs

5. December 2025

TAS

Liam Killen Meets Sha Ru: Digitakt 2 Live Wizardry That’ll Melt Your Thongs

Strap in, mates—Liam Killen’s latest deep dive features Sha Ru’s live rig, and it’s a wild ride through the outback of electronic performance. We’re talking Digitakt 2, motion sensors, and a MIDI guitar all crammed into a setup as compact as a festival esky. Liam’s signature clear-headed style meets Sha Ru’s boundary-pushing tricks, showing off a rig that’s equal parts clever and bonkers. If you reckon you’ve seen it all with Elektron boxes, think again—this one’s got more twists than a Melbourne laneway. Get ready for some serious gear envy and a few ideas you’ll want to nick for your next bush doof.

Sha Ru’s Mad Scientist Setup

Right from the get-go, Sha Ru’s approach to live electronic music is like watching a kangaroo juggle synths on a trampoline—unexpected, energetic, and a bit mental. Liam Killen sits down with the duo to unpack a setup that’s deceptively simple at first glance: Digitakt 2, a MIDI guitar, Ableton lurking in the wings, and a DIY motion sensor controller that’s still in beta but already causing a stir. The Digitakt isn’t just a drum machine here; it’s the brains of the operation, wrangling samples and controlling Ableton like a seasoned rodeo champ.

What really sets Sha Ru apart is their integration of motion sensors and a Bluetooth MIDI guitar, all feeding into the Digitakt via a laptop. The guitar’s polyphonic magic gets split across Digitakt tracks, letting them play chords and trigger samples in ways Elektron’s designers probably never dreamed of. And that motion sensor? It’s a homebrew wrist gadget that sends MIDI CCs, letting them twist parameters with a flick of the arm—no need for a fancy commercial controller when you can DIY your own chaos stick.

This live setup absolutely blew my mind.

© Screenshot/Quote: Liamkillen (YouTube)

Backpack-Ready: The Compact Rig Dream

We decided to really make our setup as compact as possible, so all of this fits in a backpack.

© Screenshot/Quote: Liamkillen (YouTube)

Sha Ru’s philosophy is simple: if it doesn’t fit in a backpack, it’s not coming on tour. With two people constantly on the move, every bit of kit has to earn its spot. Gone are the days of lugging around chunky TC Helicon boxes or Ableton Push units—Digitakt 2 now handles vocal FX duties, while the rest of the rig is trimmed down to essentials.

This compactness isn’t just about saving your back from a festival-induced chiropractor bill; it’s about making setup and teardown a breeze. The whole lot fits in a single bag, ready for flights, trains, or a mad dash to the next gig. It’s a setup that’s as practical as it is powerful, proving you don’t need a van full of gear to put on a dynamic, pro-level show.

FX Mayhem: Real-Time Tweaks for Maximum Hype

Live, Sha Ru’s FX game is as wild as a BBQ in a cyclone. With Digitakt 2 at the helm, they’re flipping vocal effects, toggling autotune, and mangling filters all in real time. Track 16 on the Digitakt becomes command central for vocal FX, letting them switch between presets and dial in delay, doubler, and pitch shifts on the fly—no menu diving mid-set, just pure hands-on chaos.

The real kicker is how both members can jump in and tweak things, keeping the performance unpredictable and full of energy. With motion sensors and MIDI assignments, they’re able to control multiple parameters at once—sometimes even slicing up vocal samples and smashing them through beat crushers. If you want to see the true impact of these FX tricks, you’ll have to watch the video—words can’t do justice to the sonic mayhem happening on stage.

On track 16 is how I access different effects that were assigned to my vocals on Digitakt.

© Screenshot/Quote: Liamkillen (YouTube)

Pushing Digitakt to the Edge: Creative Chaos

Sha Ru aren’t just using the Digitakt—they’re pushing it harder than a ute stuck in the mud. By combining motion sensors, MIDI tricks, and clever routing, they’re able to modulate several parameters at once, creating evolving textures and unpredictable moments. The DIY controller lets them assign up to four parameters for simultaneous tweaking, making every performance a bit different from the last.

Their willingness to experiment—like jamming with slice grids or layering effects on the fly—means no two sets are ever the same. It’s a setup that rewards curiosity and a bit of chaos, and it’s clear that Sha Ru are always looking for new ways to break the mould. If you’re after safe, predictable electronic music, look elsewhere; this is the sound of the outback storm rolling in.


Strings, Slices, and the Future of Live Sets

So this gives you the possibility to have like, you know, take off a lot of load, especially when playing the guitar.

© Screenshot/Quote: Liamkillen (YouTube)

The real magic happens when Sha Ru blend their MIDI guitar with the Digitakt’s sample wizardry. By splitting guitar chords across tracks and using motion sensors to modulate everything from LFO speed to filter sweeps, they’re forging a sound that’s equal parts band and machine. It’s a hybrid approach that keeps things fresh and gives their live sets a unique, organic feel.

Looking ahead, Sha Ru are keen to keep evolving—always hunting for ways to make the setup lighter, more flexible, and even more expressive. They’re not afraid to ditch gear if it slows them down, and their focus on portability means their music can go anywhere, from sweaty clubs to windswept fields. If you want to see how far you can push a Digitakt and a guitar, this video’s a must-watch.

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