EspenKraft breaks down how to turn the Yamaha DM3 into a beatmaker’s paradise. From routing vintage synths through a digital mixer to seamless DAW integration, this video is a goldmine for anyone looking to upgrade their studio flow without the hassle. Get ready for a deep dive into old-school meets new-school soundcrafting.

29. September 2025
RILEY
EspenKraft’s Yamaha DM3 Adventure: A Beatmaker’s Dream Rig
Cubase, Kawai K3M, Lexicon PCM-70, Roland Alpha Juno 2, Roland D550, Yamaha DM3, Yamaha TX802, Zoom MS-70 CDR
Old School Meets New Tech
EspenKraft kicks off the video with a look back at his previous exploration of the Yamaha DM3 digital mixer. He highlights its seamless integration with Cubase, presenting it not just as a controller but as a robust audio interface. This hybrid marvel is ready to blend both vintage and modern tech in your home studio. He’s got three synth modules perpetually connected to this bad boy – the Yamaha TX802, Kawai K3M, and Roland D550 – ready to drop some serious 80s flair. To top it off, classic effects processors like the Lexicon PCM-70 are thrown into the mix, ensuring that every beat is saturated with rich, nostalgic texture.

"...to really customize your setting and workflow with Cubase."
Channel Surfing Like a Pro

"...and that leaves channel 9 and 10...come in from the USB..."
EspenKraft doesn’t just stop at plugging in gear; he elegantly walks viewers through his channel settings on the DM3. Each synth and effects processor is meticulously placed onto specific channels—the TX802 holds down channels one and two, the K3M on three and four, and the D550 on five and six. But what stands out is how EspenKraft manages his effects returns with finesse, dedicating channels for returning the sonic goodness from his external processors. Now, here comes the wizardry: he takes special advantage of channels nine and ten, routing them via USB inputs, perfectly bypassing the physical jacks. This move isn’t just smart; it’s an invitation to leave tired setups behind. And of course, our hero makes it look easier than finding a parking spot in Chicago.
Crafting a USB Symphony
In a turn that any audio aficionado can appreciate, EspenKraft delves into the fine-tuning of his USB output. Using eight physical outputs mixed with USB routing, he takes us on a tour of his setup that would leave most with a melodic envy. His clever use of mix buses, with left channels on mix 1 and right on mix 2, offers a sonic blueprint of how the DM3 can double as an audio alchemist. Through the USB, this setup channels pure sonic gold into the DAW—it’s like channeling a symphony through a smartphone speaker and getting Dolby sound.

"You have eight physical outputs, you also have USB outputs..."
The Mix Masterclass
Here, EspenKraft exhibits how he sets up the mix within his DAW for optimal signal flow. With USB channels mapped to input buses, he creates an intricate web that allows for individual stereo inputs from each processor. Imagine playing a sonic game of Twister, where every move brings clarity rather than chaos. His methodical setup ensures no tone is left unobtained, allowing for pristine recording returns of his hardware synths, each voice captured with the precision one would expect from a seasoned audiophile. And by casually dropping a track using the TX802 and Zoom MS-70 CDR combo, he’s basically showing how to make magic in minutes.
Overdubs on Point
In the spirit of pure jam session vibes, EspenKraft throws down some overdubs with style. He layers elements from his rig over previously recorded tracks, showcasing the D550’s lush internal effects and the K3’s harmonic richness. Watching him work is like seeing a chef masterfully blend spices, each synth and effect processor adding its own flavor to the mix. The result is a textured soundscape that’s ready to hypnotize anyone within earshot. His overdubs display a blend of technical prowess and musical intuition that turns routine recording into auditory art.
Final Thoughts: A Gearhead’s Delight

"...this is basically my workstation now..."
EspenKraft rounds out the session with a nod to the DM3’s tight integration with Cubase. He’s clearly in love with his streamlined setup—a few choice words about flexibility and power suggest that this device is the missing puzzle piece for any serious studio. Despite the tech-heavy deep dive, his passion suggests it’s all worth it for the sound quality and efficiency. No sponsorships here; just pure, unadulterated gear passion driving his craft forward. In a world full of overly complex setups, sometimes a solid device like the DM3 can be exactly what your studio needs without the extra frills.
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