Endorphin.es NEW GODSPEED: Compact West Coast Power with Auto-Tune Precision

The NEW GODSPEED by Endorphin.es is introduced as a 6hp voltage-controlled oscillator that manages to cram a surprising amount of sonic firepower into a minimal panel. It’s positioned as the successor to the original Godspeed, carrying forward the brand’s penchant for bold, performance-ready modules with a West Coast flavour. Despite its size, the module is described as a complete 2-operator FM voice, ready to stand alone in a patch or serve as the centrepiece of a larger system.

The review quickly points out the inclusion of both complex analogue wave shaping and a sub-oscillator, as well as a white noise generator. These features, combined with wave folding and through-zero FM, suggest that the NEW GODSPEED is not just another basic VCO, but a tool designed for adventurous sound design and live manipulation. For those with limited rack space but expansive sonic ambitions, this module immediately stands out.

One of the headline features of the NEW GODSPEED is its immediate auto-tuning functionality. The module promises to keep your pitch rock-solid, whether you’re playing via 1V/oct CV or MIDI—even as your system warms up or environmental conditions shift. The review demonstrates how a simple button press instantly retunes the oscillator to the nearest C, G, or A, depending on your preference. This is a significant step forward for analogue VCOs, which are notorious for drifting out of tune during performances or long sessions.

The pitch lock function is another thoughtful addition. By double-tapping the pitch dial, users can prevent accidental nudges from derailing their set—a small but crucial feature for live performers. The review highlights how these tuning tools make the module not only reliable but also stress-free to use in high-pressure scenarios. The ability to quickly recalibrate or lock pitch on the fly is a clear nod to the needs of gigging modularists.

The demonstration dives into the oscillator’s multi-output architecture, starting with the even/odd output, which delivers a blend of harmonics shaped by the timbre dial. This control, modulateable via CV, acts as a wave shaper for both the even/odd and sine fold outputs, allowing for a wide palette of tones. The review notes how the timbre and FM controls interact, producing everything from subtle harmonic shifts to aggressive, chaotic textures.

Sub-oscillator integration is handled elegantly: a pre-patched sub output can be isolated or mixed into the main outputs, with selectable octave ranges from -1 to -3. The inclusion of a white noise generator, accessible via a multifunction button, further expands the sonic toolkit. Through-zero linear FM is also on offer, with an internal virtual sine wave normalled to the FM input when nothing is patched, enabling complex modulation without additional modules. The reviewer demonstrates how these features combine for rich, evolving soundscapes that can veer from classic West Coast folding to gritty, modern timbres.

A standout aspect of the NEW GODSPEED is its trio of simultaneous outputs: even/odd, sine fold, and sub. The review showcases how these can be used together or separately, allowing for layered textures or independent voice processing. By patching each output through separate VCAs or effects, users can simulate multi-oscillator setups from a single module—a boon for compact systems or live rigs where space is at a premium.

MIDI integration is handled with characteristic Endorphin.es attention to detail. The module supports both TRS A and B standards, selectable via a rear switch, and offers MIDI thru for daisy-chaining. The reviewer demonstrates channel selection and notes the visual feedback provided by LEDs for tuning accuracy. This MIDI flexibility, combined with the analogue core, positions the NEW GODSPEED as a bridge between modular and DAW-based workflows, or as a central voice in hybrid setups.