Defmod Network’s Hybrid Rig: Where Synths Meet Six Strings and Chaos Ensues

8. December 2025

TAS

Defmod Network’s Hybrid Rig: Where Synths Meet Six Strings and Chaos Ensues

Ever wondered what happens when you throw a sampler, a classic Telecaster, and a synth beast into a blender, then hand it to a livewire like Defmod Network? Mate, you get a hybrid setup that’s as unpredictable as Melbourne weather and twice as fun. In this wild tour, Ted Reyes (aka Defmod Network) walks us through his live performance rig—a mad scientist’s concoction of electronic and rock gear, all primed for on-the-fly jams and spontaneous sonic detours. If you’re keen on setups that can handle both a sweaty mosh pit and a synth nerd’s living room, strap in. This one’s got more twists than a kangaroo on a trampoline.

Hybrid Havoc: Blending Beats and Strings

Defmod Network’s latest setup is a proper Frankenstein’s monster—half electronic, half rock, and all attitude. Ted Reyes isn’t just mucking about in the studio anymore; he’s gearing up for live gigs that mash up sequenced beats with the raw twang of a Telecaster. The goal? To keep things as lively and unpredictable as a BBQ in a hailstorm. He’s not fussed about fancy gear either—most of his kit is straight from the studio, with only the guitar and amp being the odd ones out.

What really sets this rig apart is its commitment to the hybrid life. Ted’s not content to just press play and noodle over backing tracks. Instead, he’s built a setup that lets him jump between structured songs and wild, off-the-cuff improvisation. Whether he’s channeling his inner synth nerd or letting loose with some rock riffs, the whole thing’s designed for maximum interaction and minimum boredom. It’s a setup that’s just as happy in a sweaty club as it is in a dusty backyard rave.


The Gear Pile: From KO II to UB-XA

Let’s talk toys, because Ted’s rig is stacked with gear that’s as tasty as a sausage sizzle after midnight. The brains of the operation is the Teenage Engineering EP-133 KO II sampler, loaded with song mode for easy set management. It’s where the beats and basslines get their marching orders, ready to be mangled or left to run wild.

Backing up the KO II is the trusty Novation 49SL MKIII MIDI controller, giving Ted hands-on control over his synths. The Roland TR-8S drum machine is the main weapon for live rhythm mischief—perfect for when you want to go off-script and bash out some impromptu grooves. And let’s not forget the Behringer UB-XA, a synth that Ted reckons is perfect for split-mode shenanigans, letting him layer sounds and keep things thick. Rounding out the rig are the Positive Grid Spark 40 amp and a classic Fender Telecaster, giving the whole setup a rock edge that’s hard to ignore.

It's the teenage engineering EP 133 K02 sampler, which has a song mode, which is super helpful in my live sets.

© Screenshot/Quote: Defmodnetwork (YouTube)

Workflow Wizardry: Structure Meets Spontaneity

The way I do live performances is like, usually it's song based. So I write songs and I sequence them using sequencers, but I always leave…

© Screenshot/Quote: Defmodnetwork (YouTube)

Ted’s approach to live performance is a bit like surfing a rogue wave—you never quite know where you’ll end up, but you’re guaranteed a wild ride. He starts with song-based sets, sequencing tracks on the KO II and letting the machines handle the basics. But once the foundation’s laid, it’s all about veering off the beaten path. The first few minutes might be tight and structured, but after that, anything goes.

Improvisation is the name of the game, with Ted tweaking, jamming, and riffing across keyboards, synths, and guitar. It’s a workflow that keeps both the performer and the punters on their toes. There’s plenty of room for happy accidents and on-the-fly changes, making every set a bit different from the last. If you’re after a rigid, pre-programmed show, look elsewhere—this rig’s built for chaos and creativity.

Looping, Jamming, and Live Mayhem

One of the real strengths of Ted’s setup is how it handles live looping, composition, and those magic moments when everything just clicks. The KO II’s song banks let him trigger basic tracks, while the TR-8S and UB-XA are always on standby for spontaneous layering and improvisation. It’s a system that encourages risk-taking—if you stuff up, you just roll with it and see where the music takes you.

This flexibility means Ted can switch between tight arrangements and loose jams without breaking a sweat. Whether he’s composing on the fly or building up layers in real time, the whole rig feels like it’s built for dynamic, interactive performances. It’s the kind of setup that rewards curiosity and keeps things fresh, gig after gig. If you want to see the real magic, though, you’ll have to watch the video—some things just can’t be bottled up in words.


Live in Action: The Hybrid Sound Unleashed

The proof’s in the pudding, and Ted wraps up with a live performance that shows off the full power of his hybrid rig. It’s a sonic rollercoaster—beats, synths, and guitar all crashing together in glorious, organised chaos. The blend of electronic and rock elements is seamless, with each bit of gear getting its moment in the spotlight.

If you want to hear how all these pieces come together, crank up the video and cop an earful. Trust me, it’s more fun than a magpie in a chip shop.


Watch on YouTube:


Watch on YouTube: