Behringer 2-XM: Analog Firepower in Eurorack Form – A Deep Dive

Behringer opens the show with a clear nod to the golden age of analog synthesis, positioning the 2-XM as a love letter to classic 1970s expander modules. The video’s introduction is steeped in references to iconic oscillator and filter tones, setting the stage for a synth that’s all about capturing that elusive vintage character. This isn’t just nostalgia for nostalgia’s sake—the 2-XM is presented as a tool for those who crave the warmth and unpredictability of true analog circuitry.

The 2-XM’s design philosophy is all about distilling the essence of a legendary expander into a modern, accessible format. Behringer’s tone is typically enthusiastic, but here there’s a sense of reverence for the original hardware. The promise is clear: a faithful analog recreation, but with the flexibility and convenience demanded by today’s modular and desktop setups.

At the heart of the 2-XM are four voltage-controlled oscillators—two per voice—each offering saw and pulse waves, with pulse width modulation and oscillator sync options. The video highlights the inclusion of dual envelopes and LFOs per voice, giving users plenty of modulation muscle for shaping everything from classic leads to evolving textures. There’s also a noise generator and an external input in the mixer section, expanding the sonic palette further.

The filter section is a particular point of pride, with each voice sporting a multi-mode VCF capable of low pass, high pass, and band pass operation. This flexibility is key to the 2-XM’s character, allowing for everything from creamy sweeps to biting resonance. The architecture is unapologetically analog, and Behringer makes a point of emphasizing the warmth and charm that comes with it.

One of the standout features of the 2-XM is its dual synth engine, effectively packing two independent voices into a single module. The video walks through the master section, showing off level and pan controls for each synth—ideal for crafting wide stereo patches or splitting duties across a keyboard. There’s also a portamento control and a master level pot, rounding out the performance tools.

The assign switch is where things get interesting: users can toggle between unison, split, and duophonic modes. Unison stacks both voices for maximum analog heft, while split mode lets you assign each synth to different keyboard zones—perfect for live setups or layered patches. Duophonic mode offers two-note polyphony, allowing for independent melodies or harmonies. This versatility is a boon for sound designers and performers alike, opening up a range of creative possibilities.

Behringer rounds out the presentation by highlighting the 2-XM’s connectivity and modular credentials. With both 3.5mm TRS stereo output and MIDI input on the front panel, the module is clearly designed to slot into Eurorack systems with minimal fuss. Full-size stereo outputs, MIDI through, and USB MIDI on the back panel further expand the integration options, making the 2-XM equally at home in desktop or rack-based setups.

A fully featured patch bay is the final piece of the puzzle, enabling deep interaction with other modules or synths. The video positions the 2-XM as a creative powerhouse, capable of anchoring a modular rig or serving as a flexible voice in a multi-synth environment. For those who value analog character and patching freedom, Behringer’s latest offering looks set to deliver plenty of sonic mileage.